The spread of “Comfort Women” memorials across different cities and countries offers insights into both possibilities and the limits of memory activism, especially in an era when the world continues to confront the legacies of colonialism, racism, and historical injustice.
Dr. Daniel Schumacher
Stories of “Comfort Women” are as insightful as they are heartbreaking. In this article, the author—an Argentine scholar—traces her journey from her first encounter with survivors and reflects on how it reshaped her personal and professional life, while also following the transnational itinerary of the “Comfort Women” movement across borders.
María del Pilar Álvarez
The Contested Histories Initiative (CHI) is a Europe-based NGO dedicated to studying disputes over historical memorials in public spaces and promoting critical engagement with them. CHI’s Program Director, Paula O’Donohoe, spoke with Kyeol about the organization’s work and its broader vision.
Paula O’Donohoe
While warfare continues inflicting damage and suffering in today’s world, and rape of women is still used as an instrument of armed conflicts, it is critical to bring the narratives of the “Comfort Women” into public memory.
Peipei Qiu
My Mother Is More Than A Comfort Woman is a storybook that presents the experiences of Filipino “Comfort Women” survivors through the eyes of their daughters and a granddaughter.
Naoko Okimoto (沖本直子)
As of now, one victim of these atrocities remains alive in Timor-Leste. While the passage of time may have dimmed the memories of these atrocities, the quest for justice and accountability remains as relevant as ever.
Feliciano da Costa Araujo
IM, Wookyung
Historian Harrison C. Kim traces how discourse on “Comfort Women” in North Korea has evolved—at times in dialogue with the outside world—while developing distinct advocacy practices and perspectives.
Cheehyung Harrison Kim
Rose Camastro-Pritchett’s “Comfort Women” project uses art to honor the dignity and strength of survivors of wartime sexual violence. Inspired by her research and personal experiences, she creates intimate, respectful works that connect historical trauma to ongoing conversations about gender-based violence today.
Rose Camastro-Pritchett
The documentary film , directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”
Cecilia Kang
Lee Jeeheng
Rada Iveković