Film researcher Hwang Miyojo sheds light on the documentary film “The Silence” produced by female director Park Su-nam, a second-generation Korean-Japanese. Director Park documented the struggle of Lee Ok-sun, who demanded that the Japanese government apologize and provide compensation, together with 14 colleagues.
Hwang Miyojo
Webzine Readers Talk
Editorial Team of Webzine <Kyeol>
At times, a single poster can speak more powerfully than a hundred-page book. Kyeol had a conversation with New York-based artist Chang-Jin Lee regarding her COMFORT WOMEN WANTED project and how art can shed light on questions of gender, identity, and memory.
Chang-Jin Lee
In this interview with Kyeol, artist Chang-Jin Lee discusses the vision behind her work and the power of art to communicate, connect people, and inspire change.
Historian Harrison C. Kim traces how discourse on “Comfort Women” in North Korea has evolved—at times in dialogue with the outside world—while developing distinct advocacy practices and perspectives.
Cheehyung Harrison Kim
The solidarity practice of Japanese citizens who finally realized the exhibition of the “Statue of Peace” through the “Non-Freedom of Expression Exhibition”—more than a decade in the making.
Kohei Kurahashi (倉橋耕平)
Similar to what the researchers considered in the fourth collection of testimonies, the line placement and long pauses in Emily Jungmin Yoon’s poems would be the mimesis for the testifiers’ persistent pain, long silence, faltering, and hesitation that are manifested through poetic deviation.
Lee Hye-ryoung
Asian Women’s Shelter’s executive director shares how the organization began and how it works to serve “not either/or, but all” communities in the San Francisco Bay Area.
Orchid Pusey
The spread of “Comfort Women” memorials across different cities and countries offers insights into both possibilities and the limits of memory activism, especially in an era when the world continues to confront the legacies of colonialism, racism, and historical injustice.
Dr. Daniel Schumacher
This article foregrounds the long-overlooked sexual violence perpetrated against Jewish women during the Holocaust. It calls for fuller integration of survivors’ testimonies of sexual violence into our understanding of Holocaust history and prompts recognition of the ongoing reality of conflict-related sexual violence today.
Rochelle G. Saidel
The author – an ethnomusicologist – invites us to listen to “Comfort Women” survivors’ songs as a way to understand their lives and to remember them.
Joshua D. Pilzer