The documentary film , directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”
Cecilia Kang
At a time when the history of the Japanese military “Comfort Women” is increasingly being disparaged and distorted, digital archives are expanding their role as both a reliable repository of information and a platform for communication.
Kim Seo-yeon
A story of Stintino’s commitment to justice and humanity, its focus on raising awareness and finding solutions to end violence against women, and the arrival of the Statue of Peace in the town.
Giuseppina De Nicola
The history of the Japanese Military “Comfort Women” issue has challenged long-standing conservative cultural norms regarding women and sexuality in Asia by amplifying the voices of the victims. Moreover, it has contributed to the establishment of globally significant norms and values related to women’s human rights. This means that the records documenting the Japanese Military “Comfort Women” issue and related activities meet the criteria of “world significance.”
Hye-in Han
The suffering of the Japanese Military “Comfort Women,” one of the most tragic human rights abuses of the 20th century, should be preserved and managed as historical documentary heritage. This is crucial to prevent such atrocities from recurring and provide a lesson to future generations.
The irony is that Germany, which is often hailed as a “model” country for past liquidation by providing compensation to victims of wartime forced labor through government-industry collaboration, did not even include women forced into sexual slavery in the category of victims entitled to such compensation and still does not recognize their legal victim status.
Jung Yong Suk
Film researcher Hwang Miyojo sheds light on the documentary film “The Silence” produced by female director Park Su-nam, a second-generation Korean-Japanese. Director Park documented the struggle of Lee Ok-sun, who demanded that the Japanese government apologize and provide compensation, together with 14 colleagues.
Hwang Miyojo
Testimony and publishing activities concerning wartime sexual violence and “Comfort Women” carried out by the Association of Returnees from China (Chukiren), which atoned for their perpetrators’ actions in postwar Japanese society.
Kim Su-yong
The Asia Pacific Peace Museum in Toronto, one of the few museums outside Asia dedicated to World War II in Asia, offers education that encourages critical reflection on war, memory, and peace.
Flora Mei-Ling Chong
Stories of “Comfort Women” are as insightful as they are heartbreaking. In this article, the author—an Argentine scholar—traces her journey from her first encounter with survivors and reflects on how it reshaped her personal and professional life, while also following the transnational itinerary of the “Comfort Women” movement across borders.
María del Pilar Álvarez
Historian Harrison C. Kim traces how discourse on “Comfort Women” in North Korea has evolved—at times in dialogue with the outside world—while developing distinct advocacy practices and perspectives.
Cheehyung Harrison Kim
Is it still possible to remember Bae Bong-gi’s life and mourn her death beyond the adversarial structure between nations?
Kim Shin Hyun-gyung
