Webzine-KYEOL │ Research Institute on Japanese Military Sexsual Slavery (RIMSS)

Historical Memory The rooms of the surviving “Comfort Women” - Kang Il-chul’s room

What kind of everyday life do the surviving “Comfort Women” victims residing in the leads? the Webzine has arranged an essay series to look at daily life of those who live at the , centering upon the space of the “room.” The fourth protagonist is Kang Il-chul.

Kim Dae-wol

Activism Meeting the first-generation researcher, to remember the first step - (3) Kang Jeong-sook

Kang Jeong-sook majored in the women's history of modern Korea, and currently works as a researcher at the Centre for East Asian History at Sungkyunkwan University. She contributed greatly to the early studies on the ‘Comfort Women’, by investigating the truth of the ‘Comfort Women’ issue, recording the testimonies of the ‘Comfort Women’ victims, etc. while working at the Korean Institute of Japanese Military Sexual Slavery and the Truth Commission on Forced Mobilization.

Editorial Team of Webzine <Kyeol>

Culture How a Diaspora Director Talks About the “Comfort Women” Issue Through a Documentary

The documentary film , directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”

Cecilia Kang

Culture Meeting “Comfort Women” Victims’ First “Art Teacher” - Interview with Artist Kyung-Shin Lee, Author of “Flowers Unbloomed”

The first “art teacher” of the “Comfort Women” survivors who live in the House of Sharing. I met and listened to the story of artist Kyung-Shin Lee, the author of “Flowers Unbloomed,” which contains the behind story of the painting class she conducted for five years from 1993.

Purplay Kang Purm

Historical Memory The rooms of the surviving “Comfort Women” - Park Ok-sun’s room

Upon Park Ok-sun's return to South Korea, she moved back and forth between her younger brother's house and her nephew's house in Seoul, and eventually was admitted to in 2002.

Kim Dae-wol

Historical Memory Remembering Kim Hak-sun

Written by Lee Hee-ja, President of the Association for Requesting Compensation for the Pacific War Victims

Lee Hee-ja

Culture Calling Kim Soon-ak’s “Names”: An Interview with “Comfort” Director Emmanuel Moonchil Park

Kim Soon-ak was referred to by countless names throughout her life: As we can guess from her multiple names, her life was full of twists and turns we didn’t know or didn’t want to know about.

Purplay Kang Purm

Culture What Sensations Do Artificial Intelligence(AI)-Based Testimonies of Presence Create?

the blanks in written language can connect us to the past more powerfully than the original voice, depending on how we relate to the testimonies.

Song Hye-rim

Historical Memory Dear Hak-sun, how are you doing in heaven now?

Written by Nobukawa Mitsuko (信川美津子), Civic Activist

Nobukawa Mitsuko (信川美津子)

Culture Now/here, the inside and outside of the 'comfort women' films (Part 2)

Written by Son Hee-jung, Yonsei University Institute of Gender Studies

Son Hee-jung

Education Accurate and Insightful: A Wise Approach to Engaging with “Comfort Women” Records and Information

At a time when the history of the Japanese military “Comfort Women” is increasingly being disparaged and distorted, digital archives are expanding their role as both a reliable repository of information and a platform for communication.

Kim Seo-yeon

Activism Voices of “Comfort Women”: A Global Civic Movement for Memory

The suffering of the Japanese Military “Comfort Women,” one of the most tragic human rights abuses of the 20th century, should be preserved and managed as historical documentary heritage. This is crucial to prevent such atrocities from recurring and provide a lesson to future generations.

Hye-in Han

Articles