My Mother Is More Than A Comfort Woman is a storybook that presents the experiences of Filipino “Comfort Women” survivors through the eyes of their daughters and a granddaughter.
Naoko Okimoto (沖本直子)
Ahead of the publication of the webzine of Research Institue on Japanese Military Sexual Slavery (RIJMSS), 10 editors gathered together to discuss the future of the webzine. At the two editorial symposiums held on January 31and February 25, 2019, discussions were held on the ways and limitations carried out on the issue of the ‘comfort women’ so far and the direction in which the webzine should move forward next.
Editorial Team of Webzine <Kyeol>
The “Comfort Women” system was not only a violation of women’s rights, but also a grave infringement of children’s rights. In this article, Professor Ñusta Carranza Ko examines how imperial Japanese authorities systematically violated the rights of underage girls, in direct contravention of international conventions of the time, reframing the issue as a case of child rights violations.
Ñusta Carranza Ko
The Contested Histories Initiative (CHI) is a Europe-based NGO dedicated to studying disputes over historical memorials in public spaces and promoting critical engagement with them. CHI’s Program Director, Paula O’Donohoe, spoke with Kyeol about the organization’s work and its engagement with the “Comfort Women” issue.
Paula O’Donohoe
The Contested Histories Initiative (CHI) is a Europe-based NGO dedicated to studying disputes over historical memorials in public spaces and promoting critical engagement with them. CHI’s Program Director, Paula O’Donohoe, spoke with Kyeol about the organization’s work and its broader vision.
Rose Camastro-Pritchett’s “Comfort Women” project uses art to honor the dignity and strength of survivors of wartime sexual violence. Inspired by her research and personal experiences, she creates intimate, respectful works that connect historical trauma to ongoing conversations about gender-based violence today.
Rose Camastro-Pritchett
The documentary film , directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”
Cecilia Kang
Webzine Readers Talk
In this interview with Kyeol, artist Chang-Jin Lee discusses the vision behind her work and the power of art to communicate, connect people, and inspire change.
Chang-Jin Lee
At times, a single poster can speak more powerfully than a hundred-page book. Kyeol had a conversation with New York-based artist Chang-Jin Lee regarding her COMFORT WOMEN WANTED project and how art can shed light on questions of gender, identity, and memory.
Testimony and publishing activities concerning wartime sexual violence and “Comfort Women” carried out by the Association of Returnees from China (Chukiren), which atoned for their perpetrators’ actions in postwar Japanese society.
Kim Su-yong
In this conversation, Freedom United Executive Director Joanna Ewart-James and Kyeol examine how modern slavery is sustained by social and institutional systems, how collective action can drive meaningful change, and how historical awareness can deepen our understanding of injustices that persist today.
Joanna Ewart-James