A review of Unsilenced: Sexual Violence in Conflict, the UK’s first exhibition focusing on the issue of sexual violence during modern and contemporary global conflicts.
Nikolai Johnsen
The Asia Pacific Peace Museum in Toronto, one of the few museums outside Asia dedicated to World War II in Asia, offers education that encourages critical reflection on war, memory, and peace.
Flora Mei-Ling Chong
Ahead of the publication of the webzine of Research Institue on Japanese Military Sexual Slavery (RIJMSS), 10 editors gathered together to discuss the future of the webzine. At the two editorial symposiums held on January 31and February 25, 2019, discussions were held on the ways and limitations carried out on the issue of the ‘comfort women’ so far and the direction in which the webzine should move forward next.
Editorial Team of Webzine <Kyeol>
In this conversation, Freedom United Executive Director Joanna Ewart-James and Kyeol examine how modern slavery is sustained by social and institutional systems, how collective action can drive meaningful change, and how historical awareness can deepen our understanding of injustices that persist today.
Joanna Ewart-James
Rose Camastro-Pritchett’s “Comfort Women” project uses art to honor the dignity and strength of survivors of wartime sexual violence. Inspired by her research and personal experiences, she creates intimate, respectful works that connect historical trauma to ongoing conversations about gender-based violence today.
Rose Camastro-Pritchett
The documentary film , directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”
Cecilia Kang
More than 10 years after the publication of the picture book “Flower Granny,” which tells the story of Sim Dalyeon, a victim of the Japanese Military “Comfort Women,” author Kwon Yoon-duk released “Yong, Maeng Ho,” the main character of the Vietnam War veteran. What is the story left by the author who has pointed out violence in Korean history through her works?
Purplay Kang Purm
In some way or another, testimony literature must provide its own answer to the question of what to represent and how. So what was the answer found by Kim Soom's novel "One Left" (Hyundae Munhak, 2016)?
Kwon-Kim Hyun-young
Nam Kijeong (Institute for Japanese Studies, Seoul National University)/ Cho Yanghyeon (Institute of Foreign Affairs and National Security)/ Cho Sihyeon (The Center of Historical Truth and Justice)
What can art accomplish beyond aesthetics? Randy Jayne Rosenberg examines how it can preserve marginalized histories, support survivor testimony, and move audiences from observation toward ethical responsibility.
Randy Jayne Rosenberg
Stories of “Comfort Women” are as insightful as they are heartbreaking. In this article, the author—an Argentine scholar—traces her journey from her first encounter with survivors and reflects on how it reshaped her personal and professional life, while also following the transnational itinerary of the “Comfort Women” movement across borders.
María del Pilar Álvarez
Professor Jing Williams considers her education on the “Comfort Women” issue as “a process of planting seeds for the future,” recognizing that some of her students may become advocates for women’s human rights.
Jing Williams
