She is an Emeritus Professor of Aoyama Gakuin University. As a Korean in Japan (a Zainichi Korean) and a researcher who laid the foundation for the studies of colonial history and women's history in Japan, she has been playing an important role in investigating the truth about the ‘Comfort Women’ issue. Her main publications include 『Military and Sexual Violence』, 『A Study on the East Asia Japanese military sexual slavery (co-authorship)』, 『A Study of 70 Years of Women's History in Korea (co-authorship)』, 『Colonialism, War, ‘Comfort Women’ for the Military (co-authorship)』, 『War and Social Affairs in East Asia(co-authorship)』, and so on.
Editorial Team of Webzine <Kyeol>
This article is about the story of Song Shin-do remembered by Kawata Fumiko, who connected Song Shin-do to the ‘”Comfort Women” 110 Report Call Executive Committee’.
Kawata Fumiko (川田文子)
Songnisan Grandmother had anticipated that she would live in Songnisan for the rest of her life but ended up coming to the House of Sharing in the fall of 2018 after having knee surgery which made it difficult for her to easily move around.
Kim Dae-wol
The author – an ethnomusicologist – invites us to listen to “Comfort Women” survivors’ songs as a way to understand their lives and to remember them.
Joshua D. Pilzer
How can we remember the issue of Japanese military “comfort women”? Talking about an issue involves the processes of embracing it as one's own, facing it, and contemplating on it. In December 2019, a compilation album [Tell the Story - The Third Compilation of Songs] commemorating the Japanese military “comfort women” victims was released with the participation of about 30 musicians.
Earkey Project (The <Tell the Story> Project)
A report on the “Comfort Women” survivors rescued by the Allied Forces, as featured in the Chinese magazine “Da Zhan Hua Ji,” published just beforethe end of World War Ⅱ.
Liu Guangjian (刘广建)
Kim Dae-wol, Head Curator of the House of Sharing
Upon Park Ok-sun's return to South Korea, she moved back and forth between her younger brother's house and her nephew's house in Seoul, and eventually was admitted to in 2002.
What kind of everyday life do the surviving “Comfort Women” victims residing in the leads? the Webzine has arranged an essay series to look at daily life of those who live at the , centering upon the space of the “room.” The fourth protagonist is Kang Il-chul.
Now that a considerable amount of time has passed since the issue of the Japanese military “Comfort Women” was publicized, what are the questions young researchers are asking here?
Kim Soom’s novel “One Left”(Hyundae Munhak) is a work that announces a new turning point in the era of testimony. worldview formed ahead of these final moments, and can it present us with meaningful realistic possibilities not only in literary terms but also social and historical ones?
Park Hye-jin
Japan’s state-level responsibility for the “comfort women” issue in the context of the country’s history of licensed prostitution system
Song Yeon-ok