The Asia Pacific Peace Museum in Toronto, one of the few museums outside Asia dedicated to World War II in Asia, offers education that encourages critical reflection on war, memory, and peace.
Flora Mei-Ling Chong
A story of Stintino’s commitment to justice and humanity, its focus on raising awareness and finding solutions to end violence against women, and the arrival of the Statue of Peace in the town.
Giuseppina De Nicola
Written by Paek Sun-haeng, Team Manager, The Museum of Military Sexual Slavery by Japan, an affiliate organization of the Daegu Citizen Forum for Halmuni
Paek Sun-haeng
The irony is that Germany, which is often hailed as a “model” country for past liquidation by providing compensation to victims of wartime forced labor through government-industry collaboration, did not even include women forced into sexual slavery in the category of victims entitled to such compensation and still does not recognize their legal victim status.
Jung Yong Suk
From April 21 to 22, 2018, the ‘People's Tribunal on War Crimes by South Korean Troops during the Vietnam War’ (hereinafter the ‘People’s Peace Tribunal’) was held at the Oil Tank Culture Park in Mapo-gu, Seoul.
Jang Won-ah
The solidarity practice of Japanese citizens who finally realized the exhibition of the “Statue of Peace” through the “Non-Freedom of Expression Exhibition”—more than a decade in the making.
Kohei Kurahashi (倉橋耕平)
The Berlin Statue of Peace, established in 2020, marked an important milestone in the “Comfort Women” memorial movement as the first public memorial of its kind in Europe.
Jung-Hwa Han
The Japanese military “comfort women” have been a subject of transnational feminism that criticizes the patriarchy of war and talks about peace and a symbol connected to the unfinished issue, sexual violence against women.
Kim Eun-ha
Asian Women’s Shelter’s executive director shares how the organization began and how it works to serve “not either/or, but all” communities in the San Francisco Bay Area.
Orchid Pusey
Historian Harrison C. Kim traces how discourse on “Comfort Women” in North Korea has evolved—at times in dialogue with the outside world—while developing distinct advocacy practices and perspectives.
Cheehyung Harrison Kim
At times, a single poster can speak more powerfully than a hundred-page book. Kyeol had a conversation with New York-based artist Chang-Jin Lee regarding her COMFORT WOMEN WANTED project and how art can shed light on questions of gender, identity, and memory.
Chang-Jin Lee
