The solidarity practice of Japanese citizens who finally realized the exhibition of the “Statue of Peace” through the “Non-Freedom of Expression Exhibition”—more than a decade in the making.
Kohei Kurahashi (倉橋耕平)
Written by Paek Sun-haeng, Team Manager, The Museum of Military Sexual Slavery by Japan, an affiliate organization of the Daegu Citizen Forum for Halmuni
Paek Sun-haeng
A review of Unsilenced: Sexual Violence in Conflict, the UK’s first exhibition focusing on the issue of sexual violence during modern and contemporary global conflicts.
Nikolai Johnsen
What can art accomplish beyond aesthetics? Randy Jayne Rosenberg examines how it can preserve marginalized histories, support survivor testimony, and move audiences from observation toward ethical responsibility.
Randy Jayne Rosenberg
The Asia Pacific Peace Museum in Toronto, one of the few museums outside Asia dedicated to World War II in Asia, offers education that encourages critical reflection on war, memory, and peace.
Flora Mei-Ling Chong
This is where the validity of the questions posed by this tangible AI interactive testimony content to the viewer lies: bringing up issues again about what to ask, not what to listen to. That’s because asking well must be accompanied by the constant consideration of the questioner. This, of course, would be to restore asking within the process of listening, not a reconversion or return to asking.
Bae Ju-yeon
Kim Dae-wol, Head Curator of the House of Sharing
Kim Dae-wol
Rose Camastro-Pritchett’s “Comfort Women” project uses art to honor the dignity and strength of survivors of wartime sexual violence. Inspired by her research and personal experiences, she creates intimate, respectful works that connect historical trauma to ongoing conversations about gender-based violence today.
Rose Camastro-Pritchett
This article foregrounds the long-overlooked sexual violence perpetrated against Jewish women during the Holocaust. It calls for fuller integration of survivors’ testimonies of sexual violence into our understanding of Holocaust history and prompts recognition of the ongoing reality of conflict-related sexual violence today.
Rochelle G. Saidel
The photo exhibition , in which the victims of the Japanese Military ‘Comfort Women’ (called ‘Comfort Women’) from South Korea and North Korea join together, was held from March 6 to 11 at Exhibition Hall 2 of the Insa Art Center.
Ahn Hae-ryong
The irony is that Germany, which is often hailed as a “model” country for past liquidation by providing compensation to victims of wartime forced labor through government-industry collaboration, did not even include women forced into sexual slavery in the category of victims entitled to such compensation and still does not recognize their legal victim status.
Jung Yong Suk
the blanks in written language can connect us to the past more powerfully than the original voice, depending on how we relate to the testimonies.
Song Hye-rim
