Nam Kijeong (Institute for Japanese Studies, Seoul National University)/ Cho Yanghyeon (Institute of Foreign Affairs and National Security)/ Cho Sihyeon (The Center of Historical Truth and Justice)
Editorial Team of Webzine <Kyeol>
Historian Harrison C. Kim traces how discourse on “Comfort Women” in North Korea has evolved—at times in dialogue with the outside world—while developing distinct advocacy practices and perspectives.
Cheehyung Harrison Kim
Film researcher Hwang Miyojo sheds light on the documentary film “The Silence” produced by female director Park Su-nam, a second-generation Korean-Japanese. Director Park documented the struggle of Lee Ok-sun, who demanded that the Japanese government apologize and provide compensation, together with 14 colleagues.
Hwang Miyojo
Kim Dae-wol, Head Curator of the House of Sharing
Kim Dae-wol
The Berlin Statue of Peace, established in 2020, marked an important milestone in the “Comfort Women” memorial movement as the first public memorial of its kind in Europe.
Jung-Hwa Han
More than 10 years after the publication of the picture book “Flower Granny,” which tells the story of Sim Dalyeon, a victim of the Japanese Military “Comfort Women,” author Kwon Yoon-duk released “Yong, Maeng Ho,” the main character of the Vietnam War veteran. What is the story left by the author who has pointed out violence in Korean history through her works?
Purplay Kang Purm
Legal experts and “Comfort Women” movement activists reflect on the 34-year legal struggle to resolve the Japanese Military “Comfort Women” issue.
Sohn Sung-sook, President of the Education for Social Justice Foundation (ESJF)
The Women's International War Crimes Tribunal on the Trial of Japan's Military Sexual Slavery in 2000 (hereinafter the ‘Women's International War Crimes Tribunal 2000’), which was hosted in Tokyo, Japan from December 8 to 12, 2000, was a people’s tribunal[1] that held the Japanese government – the perpetrating state - and Emperor Hirohito responsible for war crimes. It was viewed as the most appropriate alternative plan devised at a time when it was no longer feasible to hold a legally effective international court with any cooperation from the Japanese government.
Sim A-jeong
The solidarity practice of Japanese citizens who finally realized the exhibition of the “Statue of Peace” through the “Non-Freedom of Expression Exhibition”—more than a decade in the making.
Kohei Kurahashi (倉橋耕平)
A story of Stintino’s commitment to justice and humanity, its focus on raising awareness and finding solutions to end violence against women, and the arrival of the Statue of Peace in the town.
Giuseppina De Nicola
Written by Shin Ki-young, Professor at Ochanomizu University, Japan
Shin Ki-young