The Berlin Statue of Peace, established in 2020, marked an important milestone in the “Comfort Women” memorial movement as the first public memorial of its kind in Europe.
Jung-Hwa Han
The solidarity practice of Japanese citizens who finally realized the exhibition of the “Statue of Peace” through the “Non-Freedom of Expression Exhibition”—more than a decade in the making.
Kohei Kurahashi (倉橋耕平)
Clearly, liberal democratic initiatives such as the enshrinement of women's rights will continue to fail until structural inequalities, as well as the social norms that allow gender-based violence, are confronted
Helen Scanlon
The movie “Denial” (Mick Jackson, 2017)
Heo Yoon
Testimony and publishing activities concerning wartime sexual violence and “Comfort Women” carried out by the Association of Returnees from China (Chukiren), which atoned for their perpetrators’ actions in postwar Japanese society.
Kim Su-yong
Reflecting on and exploring how to record, remember, and carry forward the history of the “Comfort Women” beyond the framework of legal remedies.
Editorial Team of Webzine <Kyeol>
Is it still possible to remember Bae Bong-gi’s life and mourn her death beyond the adversarial structure between nations?
Kim Shin Hyun-gyung
Japan’s state-level responsibility for the “comfort women” issue in the context of the country’s history of licensed prostitution system
Song Yeon-ok
A story of Stintino’s commitment to justice and humanity, its focus on raising awareness and finding solutions to end violence against women, and the arrival of the Statue of Peace in the town.
Giuseppina De Nicola
In 2022, as a result of Japan’s aggressive diplomacy, UNESCO’s MoW inscription rules were revised to require all documents to be submitted through national governments. Additionally, if a concerned country objects, the application is halted from entering the review process and must instead undergo a so-called “dialogue” procedure. Under these revised rules, any attempt by a victimized country to submit documents related to the Japanese Military “Comfort Women” is likely to be blocked before even reaching the review stage due to Japan’s opposition.
Hye-in Han
Iryna Dovhan, head of SEMA Ukraine, condemns the severe violence and suffering endured by countless women during the Ukraine-Russia war, which has persisted for over a decade.
Iryna Dovhan
Takashi Machida