At times, a single poster can speak more powerfully than a hundred-page book. Kyeol had a conversation with New York-based artist Chang-Jin Lee regarding her COMFORT WOMEN WANTED project and how art can shed light on questions of gender, identity, and memory.
Chang-Jin Lee
At a time when the history of the Japanese military “Comfort Women” is increasingly being disparaged and distorted, digital archives are expanding their role as both a reliable repository of information and a platform for communication.
Kim Seo-yeon
Reflecting on and exploring how to record, remember, and carry forward the history of the “Comfort Women” beyond the framework of legal remedies.
Editorial Team of Webzine <Kyeol>
Legal experts and “Comfort Women” movement activists reflect on the 34-year legal struggle to resolve the Japanese Military “Comfort Women” issue.
Stories of “Comfort Women” are as insightful as they are heartbreaking. In this article, the author—an Argentine scholar—traces her journey from her first encounter with survivors and reflects on how it reshaped her personal and professional life, while also following the transnational itinerary of the “Comfort Women” movement across borders.
María del Pilar Álvarez
Historian Harrison C. Kim traces how discourse on “Comfort Women” in North Korea has evolved—at times in dialogue with the outside world—while developing distinct advocacy practices and perspectives.
Cheehyung Harrison Kim
The author – an ethnomusicologist – invites us to listen to “Comfort Women” survivors’ songs as a way to understand their lives and to remember them.
Joshua D. Pilzer
Is it still possible to remember Bae Bong-gi’s life and mourn her death beyond the adversarial structure between nations?
Kim Shin Hyun-gyung
The “Comfort Women” system was not only a violation of women’s rights, but also a grave infringement of children’s rights. In this article, Professor Ñusta Carranza Ko examines how imperial Japanese authorities systematically violated the rights of underage girls, in direct contravention of international conventions of the time, reframing the issue as a case of child rights violations.
Ñusta Carranza Ko
Rose Camastro-Pritchett’s “Comfort Women” project uses art to honor the dignity and strength of survivors of wartime sexual violence. Inspired by her research and personal experiences, she creates intimate, respectful works that connect historical trauma to ongoing conversations about gender-based violence today.
Rose Camastro-Pritchett
The solidarity practice of Japanese citizens who finally realized the exhibition of the “Statue of Peace” through the “Non-Freedom of Expression Exhibition”—more than a decade in the making.
Kohei Kurahashi (倉橋耕平)
A report on the “Comfort Women” survivors rescued by the Allied Forces, as featured in the Chinese magazine “Da Zhan Hua Ji,” published just beforethe end of World War Ⅱ.
Liu Guangjian (刘广建)
