A report on the “Comfort Women” survivors rescued by the Allied Forces, as featured in the Chinese magazine “Da Zhan Hua Ji,” published just beforethe end of World War Ⅱ.
Liu Guangjian (刘广建)
The “Comfort Women” system was not only a violation of women’s rights, but also a grave infringement of children’s rights. In this article, Professor Ñusta Carranza Ko examines how imperial Japanese authorities systematically violated the rights of underage girls, in direct contravention of international conventions of the time, reframing the issue as a case of child rights violations.
Ñusta Carranza Ko
Testimony and publishing activities concerning wartime sexual violence and “Comfort Women” carried out by the Association of Returnees from China (Chukiren), which atoned for their perpetrators’ actions in postwar Japanese society.
Kim Su-yong
Historian Harrison C. Kim traces how discourse on “Comfort Women” in North Korea has evolved—at times in dialogue with the outside world—while developing distinct advocacy practices and perspectives.
Cheehyung Harrison Kim
Aya Furuhashi sheds light on the unspoken truths that emerge from the gaps between the lines of the the memoir, Wuhan Military Logistics Base, written by Seikichi Yamada.
Aya Furuhashi (古橋綾)
The irony is that Germany, which is often hailed as a “model” country for past liquidation by providing compensation to victims of wartime forced labor through government-industry collaboration, did not even include women forced into sexual slavery in the category of victims entitled to such compensation and still does not recognize their legal victim status.
Jung Yong Suk
While warfare continues inflicting damage and suffering in today’s world, and rape of women is still used as an instrument of armed conflicts, it is critical to bring the narratives of the “Comfort Women” into public memory.
Peipei Qiu
What kind of everyday life do the surviving “Comfort Women” victims residing in the leads? the Webzine has arranged an essay series to look at daily life of those who live at the , centering upon the space of the “room.” The fourth protagonist is Kang Il-chul.
Kim Dae-wol
Upon Park Ok-sun's return to South Korea, she moved back and forth between her younger brother's house and her nephew's house in Seoul, and eventually was admitted to in 2002.
The traces and history of the surviving “Comfort Women” fill all corners of the but are most visible inside the rooms of the surviving “Comfort Women”.
