A review of Unsilenced: Sexual Violence in Conflict, the UK’s first exhibition focusing on the issue of sexual violence during modern and contemporary global conflicts.
Nikolai Johnsen
the blanks in written language can connect us to the past more powerfully than the original voice, depending on how we relate to the testimonies.
Song Hye-rim
This achievement of historical research will serve as a basis for listening to testimonies in depth beyond the narrow standard of “fact verification.”
Lee Jieun
The author – an ethnomusicologist – invites us to listen to “Comfort Women” survivors’ songs as a way to understand their lives and to remember them.
Joshua D. Pilzer
Kim Soom’s novel “One Left”(Hyundae Munhak) is a work that announces a new turning point in the era of testimony. worldview formed ahead of these final moments, and can it present us with meaningful realistic possibilities not only in literary terms but also social and historical ones?
Park Hye-jin
Written by Paek Sun-haeng, Team Manager, The Museum of Military Sexual Slavery by Japan, an affiliate organization of the Daegu Citizen Forum for Halmuni
Paek Sun-haeng
The first “art teacher” of the “Comfort Women” survivors who live in the House of Sharing. I met and listened to the story of artist Kyung-Shin Lee, the author of “Flowers Unbloomed,” which contains the behind story of the painting class she conducted for five years from 1993.
Purplay Kang Purm
Kim Dae-wol, Head Curator of the House of Sharing
Kim Dae-wol
The photo exhibition , in which the victims of the Japanese Military ‘Comfort Women’ (called ‘Comfort Women’) from South Korea and North Korea join together, was held from March 6 to 11 at Exhibition Hall 2 of the Insa Art Center.
Ahn Hae-ryong
Written by Son Hee-jung, Yonsei University Institute of Gender Studies
Son Hee-jung
