How can we remember the issue of Japanese military “comfort women”? Talking about an issue involves the processes of embracing it as one's own, facing it, and contemplating on it. In December 2019, a compilation album [Tell the Story - The Third Compilation of Songs] commemorating the Japanese military “comfort women” victims was released with the participation of about 30 musicians.
Earkey Project (The <Tell the Story> Project)
Issues raised by the victims of the Japanese military in China - Many people recall the image of an innocent girl who was forcibly taken away by the Japanese military and brutally assaulted. China, at that time a battlefield, was one of the places where such damaging incidents frequently occurred. The Japanese military continuously used brutal violence against Chinese women during the war. They openly took away women to commit sexual abuse across the battlegrounds, occupied areas, as well as urban and rural areas.
Lee Sun-yi
Written by Paek Sun-haeng, Team Manager, The Museum of Military Sexual Slavery by Japan, an affiliate organization of the Daegu Citizen Forum for Halmuni
Paek Sun-haeng
Bae Ha-eun
Kim Soon-ak was referred to by countless names throughout her life: As we can guess from her multiple names, her life was full of twists and turns we didn’t know or didn’t want to know about.
Purplay Kang Purm
Kim Dae-wol, Head Curator of the House of Sharing
Kim Dae-wol
The documentary film , directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”
Cecilia Kang
In this interview with Kyeol, artist Chang-Jin Lee discusses the vision behind her work and the power of art to communicate, connect people, and inspire change.
Chang-Jin Lee
At times, a single poster can speak more powerfully than a hundred-page book. Kyeol had a conversation with New York-based artist Chang-Jin Lee regarding her COMFORT WOMEN WANTED project and how art can shed light on questions of gender, identity, and memory.
In some way or another, testimony literature must provide its own answer to the question of what to represent and how. So what was the answer found by Kim Soom's novel "One Left" (Hyundae Munhak, 2016)?
Kwon-Kim Hyun-young
