Webzine-KYEOL │ Research Institute on Japanese Military Sexsual Slavery (RIMSS)

Problems in the Ethics of Female Representation

A Conversation between Gina Kim and Han Sang Kim

Kim Gin-a

The End of the Tunnel - Interview with Kim Dae-wol, the Head Curator of the House of Sharing

Kim Dae-wol, Head Curator of the House of Sharing

Kim Dae-wol

Gazing at the “Death Pit” and Representation of the Memories of “Comfort Women” Victims

She deals with the issues of how the victimization of women in the post-colonial Korean society is represented, what type of gaze operates here, and what the gaze ultimately strives to see.

Kim Han-Sang

The Power of Art: Conversation with Artist Chang-Jin Lee COMFORT WOMEN WANTED Project and More (2)

The Power of Art: Conversation with Chang-Jin Lee (2)

In this interview with Kyeol, artist Chang-Jin Lee discusses the vision behind her work and the power of art to communicate, connect people, and inspire change.

Chang-Jin Lee

What Sensations Do Artificial Intelligence(AI)-Based Testimonies of Presence Create?

the blanks in written language can connect us to the past more powerfully than the original voice, depending on how we relate to the testimonies.

Song Hye-rim

Why We Must Listen to the Voices and Songs of the “Comfort Women” Survivors

The author – an ethnomusicologist – invites us to listen to “Comfort Women” survivors’ songs as a way to understand their lives and to remember them.

Joshua D. Pilzer

2022 여성인권과 평화 국제 컨퍼런스_04 ⓒ한국여성인권진흥원 일본군‘위안부’문제연구소

A New Political Horizon Opening with Wounds - Report on the International Conference on Women’s Rights and Peace 2022

The Japanese military “comfort women” have been a subject of transnational feminism that criticizes the patriarchy of war and talks about peace and a symbol connected to the unfinished issue, sexual violence against women.

Kim Eun-ha

AI 인터랙티브 증언 콘텐츠 ©한국여성인권진흥원 일본군‘위안부’문제연구소

Testimony, Common Voice - An Exhibition of the AI Interactive Testimony Content, “Encountering Testimonies”

This is where the validity of the questions posed by this tangible AI interactive testimony content to the viewer lies: bringing up issues again about what to ask, not what to listen to. That’s because asking well must be accompanied by the constant consideration of the questioner. This, of course, would be to restore asking within the process of listening, not a reconversion or return to asking.

Bae Ju-yeon

The Past and Future of Testimony Presented by the “Comfort Women” : Testimony as Evidence and as Actions

This achievement of historical research will serve as a basis for listening to testimonies in depth beyond the narrow standard of “fact verification.”

Lee Jieun

#testimony

The voices that rolled inside bodies – Emily Jungmin Yoon’s collection of poems A Cruelty Special to Our Species

Similar to what the researchers considered in the fourth collection of testimonies, the line placement and long pauses in Emily Jungmin Yoon’s poems would be the mimesis for the testifiers’ persistent pain, long silence, faltering, and hesitation that are manifested through poetic deviation.

Lee Hye-ryoung

Culture