Webzine-KYEOL │ Research Institute on Japanese Military Sexsual Slavery (RIMSS)

Calling Kim Soon-ak’s “Names”: An Interview with “Comfort” Director Emmanuel Moonchil Park

Kim Soon-ak was referred to by countless names throughout her life: As we can guess from her multiple names, her life was full of twists and turns we didn’t know or didn’t want to know about.

Purplay Kang Purm

From Asking to Listening, from Singular to Plural: The Transformability of “Comfort Women” Narrative Norms in Kim Soom’s “One Left”

In some way or another, testimony literature must provide its own answer to the question of what to represent and how. So what was the answer found by Kim Soom's novel "One Left" (Hyundae Munhak, 2016)?

Kwon-Kim Hyun-young

The End of the Tunnel - Interview with Kim Dae-wol, the Head Curator of the House of Sharing

Kim Dae-wol, Head Curator of the House of Sharing

Kim Dae-wol

Problems in the Ethics of Female Representation

A Conversation between Gina Kim and Han Sang Kim

Kim Gin-a

How a Diaspora Director Talks About the “Comfort Women” Issue Through a Documentary

The documentary film , directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”

Cecilia Kang

Don’t dwell on anger; treat it as if it’s your current problem – Interview with Paek Sun-haeng, an activist from the Museum of Military Sexual Slavery by Japan

Written by Paek Sun-haeng, Team Manager, The Museum of Military Sexual Slavery by Japan, an affiliate organization of the Daegu Citizen Forum for Halmuni

Paek Sun-haeng

The Twilight of Testimony

Kim Soom’s novel “One Left”(Hyundae Munhak) is a work that announces a new turning point in the era of testimony. worldview formed ahead of these final moments, and can it present us with meaningful realistic possibilities not only in literary terms but also social and historical ones?

Park Hye-jin

What Sensations Do Artificial Intelligence(AI)-Based Testimonies of Presence Create?

the blanks in written language can connect us to the past more powerfully than the original voice, depending on how we relate to the testimonies.

Song Hye-rim

Gazing at the “Death Pit” and Representation of the Memories of “Comfort Women” Victims

She deals with the issues of how the victimization of women in the post-colonial Korean society is represented, what type of gaze operates here, and what the gaze ultimately strives to see.

Kim Han-Sang

Earth Is Not Flat - the Movie “Denial” Review

The movie “Denial” (Mick Jackson, 2017)

Heo Yoon

Culture