the blanks in written language can connect us to the past more powerfully than the original voice, depending on how we relate to the testimonies.
Song Hye-rim
At times, a single poster can speak more powerfully than a hundred-page book. Kyeol had a conversation with New York-based artist Chang-Jin Lee regarding her COMFORT WOMEN WANTED project and how art can shed light on questions of gender, identity, and memory.
Chang-Jin Lee
This is where the validity of the questions posed by this tangible AI interactive testimony content to the viewer lies: bringing up issues again about what to ask, not what to listen to. That’s because asking well must be accompanied by the constant consideration of the questioner. This, of course, would be to restore asking within the process of listening, not a reconversion or return to asking.
Bae Ju-yeon
What can art accomplish beyond aesthetics? Randy Jayne Rosenberg examines how it can preserve marginalized histories, support survivor testimony, and move audiences from observation toward ethical responsibility.
Randy Jayne Rosenberg
Written by Paek Sun-haeng, Team Manager, The Museum of Military Sexual Slavery by Japan, an affiliate organization of the Daegu Citizen Forum for Halmuni
Paek Sun-haeng
A Conversation between Gina Kim and Han Sang Kim
Kim Gin-a
Bae Ha-eun
Similar to what the researchers considered in the fourth collection of testimonies, the line placement and long pauses in Emily Jungmin Yoon’s poems would be the mimesis for the testifiers’ persistent pain, long silence, faltering, and hesitation that are manifested through poetic deviation.
Lee Hye-ryoung
Kim Dae-wol, Head Curator of the House of Sharing
Kim Dae-wol
A review of Unsilenced: Sexual Violence in Conflict, the UK’s first exhibition focusing on the issue of sexual violence during modern and contemporary global conflicts.
Nikolai Johnsen