Written by Paek Sun-haeng, Team Manager, The Museum of Military Sexual Slavery by Japan, an affiliate organization of the Daegu Citizen Forum for Halmuni
Paek Sun-haeng
Carol Gluck
As the history of Women in Black shows, each Women in Black group has its own approach to feminist action, growing out of their local situation, but linked to each other through international theories and conferences.
Sue Finch
The spread of “Comfort Women” memorials across different cities and countries offers insights into both possibilities and the limits of memory activism, especially in an era when the world continues to confront the legacies of colonialism, racism, and historical injustice.
Dr. Daniel Schumacher
In this interview with Kyeol, artist Chang-Jin Lee discusses the vision behind her work and the power of art to communicate, connect people, and inspire change.
Chang-Jin Lee
Marking the 20th anniversary of the ‘Women's International War Crimes Tribunal on Japan's Military Sexual Slavery in 2000’
Yang Mi-gang
Now that a considerable amount of time has passed since the issue of the Japanese military “Comfort Women” was publicized, what are the questions young researchers are asking here?
Editorial Team of Webzine <Kyeol>
Kyung-hee Cho, Assistant Professor, Institute for East Asian Studies, Sungkonghoe University
Kyung-hee Cho
Kim Dae-wol, Head Curator of the House of Sharing
Kim Dae-wol
What can art accomplish beyond aesthetics? Randy Jayne Rosenberg examines how it can preserve marginalized histories, support survivor testimony, and move audiences from observation toward ethical responsibility.
Randy Jayne Rosenberg
Kim Soon-ak was referred to by countless names throughout her life: As we can guess from her multiple names, her life was full of twists and turns we didn’t know or didn’t want to know about.
Purplay Kang Purm
On November 12~14, 2015, an international people’s tribunal was held in The Hague, the Netherlands for the crimes against humanity that had occurred in Indonesia in 1965.
Saskia E. Wieringa