Written by Lee Hee-ja, President of the Association for Requesting Compensation for the Pacific War Victims
Lee Hee-ja
Written by Nobukawa Mitsuko (信川美津子), Civic Activist
Nobukawa Mitsuko (信川美津子)
Kim Soon-ak was referred to by countless names throughout her life: As we can guess from her multiple names, her life was full of twists and turns we didn’t know or didn’t want to know about.
Purplay Kang Purm
In some way or another, testimony literature must provide its own answer to the question of what to represent and how. So what was the answer found by Kim Soom's novel "One Left" (Hyundae Munhak, 2016)?
Kwon-Kim Hyun-young
Kim Dae-wol, Head Curator of the House of Sharing
Kim Dae-wol
she said, with tears streaming down her cheeks, when a Japanese journalist suggested they go back and visit her old home together. Away for so long from her hometown in South Chungcheong Province – a place which she could now only dream about.
Park-Kim Wooki (朴金優綺)
A Conversation between Gina Kim and Han Sang Kim
Kim Gin-a
Webzine Readers Talk
Editorial Team of Webzine <Kyeol>
Historian Harrison C. Kim traces how discourse on “Comfort Women” in North Korea has evolved—at times in dialogue with the outside world—while developing distinct advocacy practices and perspectives.
Cheehyung Harrison Kim
the blanks in written language can connect us to the past more powerfully than the original voice, depending on how we relate to the testimonies.
Song Hye-rim
Written by Paek Sun-haeng, Team Manager, The Museum of Military Sexual Slavery by Japan, an affiliate organization of the Daegu Citizen Forum for Halmuni
Paek Sun-haeng
The first “art teacher” of the “Comfort Women” survivors who live in the House of Sharing. I met and listened to the story of artist Kyung-Shin Lee, the author of “Flowers Unbloomed,” which contains the behind story of the painting class she conducted for five years from 1993.