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AI 인터랙티브 증언 콘텐츠 ©한국여성인권진흥원 일본군‘위안부’문제연구소

Culture Testimony, Common Voice - An Exhibition of the AI Interactive Testimony Content, “Encountering Testimonies”

This is where the validity of the questions posed by this tangible AI interactive testimony content to the viewer lies: bringing up issues again about what to ask, not what to listen to. That’s because asking well must be accompanied by the constant consideration of the questioner. This, of course, would be to restore asking within the process of listening, not a reconversion or return to asking.

Bae Ju-yeon

Culture From Asking to Listening, from Singular to Plural: The Transformability of “Comfort Women” Narrative Norms in Kim Soom’s “One Left”

In some way or another, testimony literature must provide its own answer to the question of what to represent and how. So what was the answer found by Kim Soom's novel "One Left" (Hyundae Munhak, 2016)?

Kwon-Kim Hyun-young

Culture What Sensations Do Artificial Intelligence(AI)-Based Testimonies of Presence Create?

the blanks in written language can connect us to the past more powerfully than the original voice, depending on how we relate to the testimonies.

Song Hye-rim

Culture The Past and Future of Testimony Presented by the “Comfort Women” : Testimony as Evidence and as Actions

This achievement of historical research will serve as a basis for listening to testimonies in depth beyond the narrow standard of “fact verification.”

Lee Jieun

#testimony

Culture Why We Must Listen to the Voices and Songs of the “Comfort Women” Survivors

The author – an ethnomusicologist – invites us to listen to “Comfort Women” survivors’ songs as a way to understand their lives and to remember them.

Joshua D. Pilzer

Culture The Twilight of Testimony

Kim Soom’s novel “One Left”(Hyundae Munhak) is a work that announces a new turning point in the era of testimony. worldview formed ahead of these final moments, and can it present us with meaningful realistic possibilities not only in literary terms but also social and historical ones?

Park Hye-jin

Activism Inside the Asia Pacific Peace Museum in Toronto

The Asia Pacific Peace Museum in Toronto, one of the few museums outside Asia dedicated to World War II in Asia, offers education that encourages critical reflection on war, memory, and peace.

Flora Mei-Ling Chong

Culture Earth Is Not Flat - the Movie “Denial” Review

The movie “Denial” (Mick Jackson, 2017)

Heo Yoon

A Place Where Survivors Know They Belong: Asian Women’s Shelter and the Work of Community-Based Support  Interview with Orchid Pusey (1)

Activism A Place Where Survivors Know They Belong: Interview with Orchid Pusey of Asian Women's Shelter (1)

Asian Women’s Shelter’s executive director shares how the organization began and how it works to serve “not either/or, but all” communities in the San Francisco Bay Area.

Orchid Pusey

Culture Meeting “Comfort Women” Victims’ First “Art Teacher” - Interview with Artist Kyung-Shin Lee, Author of “Flowers Unbloomed”

The first “art teacher” of the “Comfort Women” survivors who live in the House of Sharing. I met and listened to the story of artist Kyung-Shin Lee, the author of “Flowers Unbloomed,” which contains the behind story of the painting class she conducted for five years from 1993.

Purplay Kang Purm

미국 버지니아주 the Fairfax 카운티에 있는 위안부 평화공원에 설치된 기림비 (출처: Mary McCarthy 제공)

Current Issue The supranational nature of the 'comfort women' issue and the ‘glocalization’ of memories, Part 2

Written by Shin Ki-young, Professor at Ochanomizu University, Japan

Shin Ki-young

Activism Exploring the ‘Women's International War Crimes Tribunal on the Trial of Japan's Military Sexual Slavery in 2000’ through the archives

The ‘Women's International War Crimes Tribunal on the Trial of Japan's Military Sexual Slavery in 2000’ (hereinafter ‘Women’s International War Crimes Tribunal 2000’) was held at the Kudan Kaikan Hall in Tokyo, Japan for six days, starting with the opening ceremony on December 7, 2000, until December 12, 2000.

Editorial Team of Webzine <Kyeol>

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