Carol Gluck
The spread of “Comfort Women” memorials across different cities and countries offers insights into both possibilities and the limits of memory activism, especially in an era when the world continues to confront the legacies of colonialism, racism, and historical injustice.
Dr. Daniel Schumacher
What can art accomplish beyond aesthetics? Randy Jayne Rosenberg examines how it can preserve marginalized histories, support survivor testimony, and move audiences from observation toward ethical responsibility.
Randy Jayne Rosenberg
Rada Iveković
Is it still possible to remember Bae Bong-gi’s life and mourn her death beyond the adversarial structure between nations?
Kim Shin Hyun-gyung
The author – an ethnomusicologist – invites us to listen to “Comfort Women” survivors’ songs as a way to understand their lives and to remember them.
Joshua D. Pilzer
The Contested Histories Initiative (CHI) is a Europe-based NGO dedicated to studying disputes over historical memorials in public spaces and promoting critical engagement with them. CHI’s Program Director, Paula O’Donohoe, spoke with Kyeol about the organization’s work and its engagement with the “Comfort Women” issue.
Paula O’Donohoe
Stories of “Comfort Women” are as insightful as they are heartbreaking. In this article, the author—an Argentine scholar—traces her journey from her first encounter with survivors and reflects on how it reshaped her personal and professional life, while also following the transnational itinerary of the “Comfort Women” movement across borders.
María del Pilar Álvarez
The irony is that Germany, which is often hailed as a “model” country for past liquidation by providing compensation to victims of wartime forced labor through government-industry collaboration, did not even include women forced into sexual slavery in the category of victims entitled to such compensation and still does not recognize their legal victim status.
Jung Yong Suk
Takashi Machida
My Mother Is More Than A Comfort Woman is a storybook that presents the experiences of Filipino “Comfort Women” survivors through the eyes of their daughters and a granddaughter.
Naoko Okimoto (沖本直子)
Historian Harrison C. Kim traces how discourse on “Comfort Women” in North Korea has evolved—at times in dialogue with the outside world—while developing distinct advocacy practices and perspectives.
Cheehyung Harrison Kim