The “Comfort Women” system was not only a violation of women’s rights, but also a grave infringement of children’s rights. In this article, Professor Ñusta Carranza Ko examines how imperial Japanese authorities systematically violated the rights of underage girls, in direct contravention of international conventions of the time, reframing the issue as a case of child rights violations.
Ñusta Carranza Ko
Asian Women’s Shelter’s executive director shares how the organization began and how it works to serve “not either/or, but all” communities in the San Francisco Bay Area.
Orchid Pusey
Palestinian women who endure and resist occupation, oppression, and patriarchal structures, steadfastly continue life for the next generation.
Lee Dong-hwa
The history of the Rohingya genocide in the world’s largest refugee camp and the hope nurtured by women amid an ongoing struggle for survival.
Lee Yu Kyung
The World Court of Women has held over 30 sessions since 1992, hearing from survivors of violence, conflict and war from around the world.
Sue Finch
A review of Unsilenced: Sexual Violence in Conflict, the UK’s first exhibition focusing on the issue of sexual violence during modern and contemporary global conflicts.
Nikolai Johnsen
She has long been interested in the ‘Comfort Women’ issue and has been striving to unveil the truth about the issue while serving as a professor in English literature at Ewha Womans University. From 1980, she has been searching for and meeting with the ‘Comfort Women’ victims in order to investigate the truth.
Editorial Team of Webzine <Kyeol>
Professor Jing Williams considers her education on the “Comfort Women” issue as “a process of planting seeds for the future,” recognizing that some of her students may become advocates for women’s human rights.
Jing Williams
Time and again, we have seen the pattern of distortions, misogyny, and gaslighting of victims of sexual violence and their advocates as corrupt and greedy money grabbers.
Sayaka Chatani
More than 10 years after the publication of the picture book “Flower Granny,” which tells the story of Sim Dalyeon, a victim of the Japanese Military “Comfort Women,” author Kwon Yoon-duk released “Yong, Maeng Ho,” the main character of the Vietnam War veteran. What is the story left by the author who has pointed out violence in Korean history through her works?
Purplay Kang Purm
The traces and history of the surviving “Comfort Women” fill all corners of the but are most visible inside the rooms of the surviving “Comfort Women”.
Kim Dae-wol
Written by Choi Jae-in (The translator of 『Fifty Years of Silence』 by Jan Ruff O'Herne)
Choi Jae-in