Professor Jing Williams considers her education on the “Comfort Women” issue as “a process of planting seeds for the future,” recognizing that some of her students may become advocates for women’s human rights.
Jing Williams
The first “art teacher” of the “Comfort Women” survivors who live in the House of Sharing. I met and listened to the story of artist Kyung-Shin Lee, the author of “Flowers Unbloomed,” which contains the behind story of the painting class she conducted for five years from 1993.
Purplay Kang Purm
Patporn Phoothong
Lee Jeeheng
What can art accomplish beyond aesthetics? Randy Jayne Rosenberg examines how it can preserve marginalized histories, support survivor testimony, and move audiences from observation toward ethical responsibility.
Randy Jayne Rosenberg
At a time when the history of the Japanese military “Comfort Women” is increasingly being disparaged and distorted, digital archives are expanding their role as both a reliable repository of information and a platform for communication.
Kim Seo-yeon
In this interview with Kyeol, artist Chang-Jin Lee discusses the vision behind her work and the power of art to communicate, connect people, and inspire change.
Chang-Jin Lee
At times, a single poster can speak more powerfully than a hundred-page book. Kyeol had a conversation with New York-based artist Chang-Jin Lee regarding her COMFORT WOMEN WANTED project and how art can shed light on questions of gender, identity, and memory.
Palestinian women who endure and resist occupation, oppression, and patriarchal structures, steadfastly continue life for the next generation.
Lee Dong-hwa
The spread of “Comfort Women” memorials across different cities and countries offers insights into both possibilities and the limits of memory activism, especially in an era when the world continues to confront the legacies of colonialism, racism, and historical injustice.
Dr. Daniel Schumacher
The suffering of the Japanese Military “Comfort Women,” one of the most tragic human rights abuses of the 20th century, should be preserved and managed as historical documentary heritage. This is crucial to prevent such atrocities from recurring and provide a lesson to future generations.
Hye-in Han
Rose Camastro-Pritchett’s “Comfort Women” project uses art to honor the dignity and strength of survivors of wartime sexual violence. Inspired by her research and personal experiences, she creates intimate, respectful works that connect historical trauma to ongoing conversations about gender-based violence today.
Rose Camastro-Pritchett