Webzine-KYEOL │ Research Institute on Japanese Military Sexsual Slavery (RIMSS)

Culture The Past and Future of Testimony Presented by the “Comfort Women” : Testimony as Evidence and as Actions

This achievement of historical research will serve as a basis for listening to testimonies in depth beyond the narrow standard of “fact verification.”

Lee Jieun

#testimony

AI 인터랙티브 증언 콘텐츠 ©한국여성인권진흥원 일본군‘위안부’문제연구소

Culture Testimony, Common Voice - An Exhibition of the AI Interactive Testimony Content, “Encountering Testimonies”

This is where the validity of the questions posed by this tangible AI interactive testimony content to the viewer lies: bringing up issues again about what to ask, not what to listen to. That’s because asking well must be accompanied by the constant consideration of the questioner. This, of course, would be to restore asking within the process of listening, not a reconversion or return to asking.

Bae Ju-yeon

일본군'위안부'문제연구소 2022 학술 콜로키움 <증언 이후: 일본군'위안부' 피해 재현의 윤리와 폭력>

Culture Rediscovering “Our” Issues in “Their” Fight: Review of the “After Testimony” Colloquium

Bae Ha-eun

Culture The Twilight of Testimony

Kim Soom’s novel “One Left”(Hyundae Munhak) is a work that announces a new turning point in the era of testimony. worldview formed ahead of these final moments, and can it present us with meaningful realistic possibilities not only in literary terms but also social and historical ones?

Park Hye-jin

Culture What Sensations Do Artificial Intelligence(AI)-Based Testimonies of Presence Create?

the blanks in written language can connect us to the past more powerfully than the original voice, depending on how we relate to the testimonies.

Song Hye-rim

Culture Art as Witness

What can art accomplish beyond aesthetics? Randy Jayne Rosenberg examines how it can preserve marginalized histories, support survivor testimony, and move audiences from observation toward ethical responsibility.

Randy Jayne Rosenberg

Education Hoping for the Publication of an English Collection of Testimonials on ‘Comfort Women’ to Prevent Distortions and Expand Empathy in the International Community

Professor Jing Williams considers her education on the “Comfort Women” issue as “a process of planting seeds for the future,” recognizing that some of her students may become advocates for women’s human rights.

Jing Williams

[사진 1] 징 윌리엄스 교수(왼쪽)와 필리스 김 대표(오른쪽) ©popcon

Education “Teaching the ‘Comfort Women’ Issue in the U.S. Society: A Global Citizenship Education to Overcome Nation-Centrism”

Professor Jing Williams considers her education on the “Comfort Women” issue as “a process of planting seeds for the future,” recognizing that some of her students may become advocates for women’s human rights.

Jing Williams

Historical Memory Documenting Imperial Japanese Military’s Atrocities Against Women in China

While warfare continues inflicting damage and suffering in today’s world, and rape of women is still used as an instrument of armed conflicts, it is critical to bring the narratives of the “Comfort Women” into public memory.

Peipei Qiu

Culture The voices that rolled inside bodies – Emily Jungmin Yoon’s collection of poems A Cruelty Special to Our Species

Similar to what the researchers considered in the fourth collection of testimonies, the line placement and long pauses in Emily Jungmin Yoon’s poems would be the mimesis for the testifiers’ persistent pain, long silence, faltering, and hesitation that are manifested through poetic deviation.

Lee Hye-ryoung

Culture Translation of Silence, or Representation of the Untranslatable - A Review of the Film “The Silence”(2017)

Film researcher Hwang Miyojo sheds light on the documentary film “The Silence” produced by female director Park Su-nam, a second-generation Korean-Japanese. Director Park documented the struggle of Lee Ok-sun, who demanded that the Japanese government apologize and provide compensation, together with 14 colleagues.

Hwang Miyojo

Historical Memory How Can Perpetrators Bear Responsibility?

Testimony and publishing activities concerning wartime sexual violence and “Comfort Women” carried out by the Association of Returnees from China (Chukiren), which atoned for their perpetrators’ actions in postwar Japanese society.

Kim Su-yong

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