What kind of everyday life do the surviving “Comfort Women” victims residing in the <House of Sharing> leads? <Kyeol> the Webzine has arranged an essay series to look at daily life of those who live at the <House of Sharing>, centering upon the space of the “room.” The fourth protagonist is Kang Il-chul.
Kang Jeong-sook majored in the women's history of modern Korea, and currently works as a researcher at the Centre for East Asian History at Sungkyunkwan University. She contributed greatly to the early studies on the ‘Comfort Women’, by investigating the truth of the ‘Comfort Women’ issue, recording the testimonies of the ‘Comfort Women’ victims, etc. while working at the Korean Institute of Japanese Military Sexual Slavery and the Truth Commission on Forced Mobilization.
The documentary film <A Boat Departed From Me Taking Me Away>, directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”
The first “art teacher” of the “Comfort Women” survivors who live in the House of Sharing. I met and listened to the story of artist Kyung-Shin Lee, the author of “Flowers Unbloomed,” which contains the behind story of the painting class she conducted for five years from 1993.
Upon Park Ok-sun's return to South Korea, she moved back and forth between her younger brother's house and her nephew's house in Seoul, and eventually was admitted to <House of Sharing> in 2002.