At a time when the history of the Japanese military “Comfort Women” is increasingly being disparaged and distorted, digital archives are expanding their role as both a reliable repository of information and a platform for communication.
Reflecting on and exploring how to record, remember, and carry forward the history of the “Comfort Women” beyond the framework of legal remedies.
Legal experts and “Comfort Women” movement activists reflect on the 34-year legal struggle to resolve the Japanese Military “Comfort Women” issue.
Palestinian women who endure and resist occupation, oppression, and patriarchal structures, steadfastly continue life for the next generation.
The documentary film <A Boat Departed From Me Taking Me Away>, directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”