How a Diaspora Director Talks About the “Comfort Women” Issue Through a Documentary

The documentary film <A Boat Departed From Me Taking Me Away>, directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”

• 2024-10-21
• Cecilia Kang

Accurate and Insightful: A Wise Approach to Engaging with “Comfort Women” Records and Information

At a time when the history of the Japanese military “Comfort Women” is increasingly being disparaged and distorted, digital archives are expanding their role as both a reliable repository of information and a platform for communication.

• 2026-04-22
• Kim Seo-yeon

The Statue of Peace Arrives in Stintino, Italy, Carrying a Message of Human Rights and Peace

A story of Stintino’s commitment to justice and humanity, its focus on raising awareness and finding solutions to end violence against women, and the arrival of the Statue of Peace in the town.

• 2024-09-27
• Giuseppina De Nicola

The Unique and Irreplaceable “Voices of ‘Comfort Women’”

The history of the Japanese Military “Comfort Women” issue has challenged long-standing conservative cultural norms regarding women and sexuality in Asia by amplifying the voices of the victims. Moreover, it has contributed to the establishment of globally significant norms and values related to women’s human rights. This means that the records documenting the Japanese Military “Comfort Women” issue and related activities meet the criteria of “world significance.”

• 2024-08-19
• Hye-in Han

Voices of “Comfort Women”: A Global Civic Movement for Memory

The suffering of the Japanese Military “Comfort Women,” one of the most tragic human rights abuses of the 20th century, should be preserved and managed as historical documentary heritage. This is crucial to prevent such atrocities from recurring and provide a lesson to future generations.

• 2024-08-12
• Hye-in Han