Now/here, the inside and outside of the 'comfort women' films (Part 2)

<p dir="ltr"><strong>Written by Son Hee-jung, Yonsei University Institute of Gender Studies </strong>

• 2019-03-16
• Son Hee-jung

When Art Interrupts Silence: Conversation with Chang-Jin Lee (1)

At times, a single poster can speak more powerfully than a hundred-page book. Kyeol had a conversation with New York-based artist Chang-Jin Lee regarding her COMFORT WOMEN WANTED project and how art can shed light on questions of gender, identity, and memory.

• 2026-05-08
• Chang-Jin Lee

Now/here, the inside and outside of the 'comfort women' films (Part 1)

<strong>Written by Son Hee-jung, Yonsei University Institute of Gender Studies </strong>

• 2019-03-17
• Son Hee-jung

Tell us the stories of the “comfort women” issue through music

How can we remember the issue of Japanese military “comfort women”? Talking about an issue involves the processes of embracing it as one's own, facing it, and contemplating on it. In December 2019, a compilation album [Tell the Story - The Third Compilation of Songs] commemorating the Japanese military “comfort women” victims was released with the participation of about 30 musicians.

• 2020-05-14
• Earkey Project (The <Tell the Story> Project)

The supranational nature of the 'comfort women' issue and the ‘glocalization’ of memories, Part 2

Written by Shin Ki-young, Professor at Ochanomizu University, Japan

• 2019-03-18
• Shin Ki-young