A review of Unsilenced: Sexual Violence in Conflict, the UK’s first exhibition focusing on the issue of sexual violence during modern and contemporary global conflicts.
Nikolai Johnsen
The Japanese military “comfort women” have been a subject of transnational feminism that criticizes the patriarchy of war and talks about peace and a symbol connected to the unfinished issue, sexual violence against women.
Kim Eun-ha
More than 10 years after the publication of the picture book “Flower Granny,” which tells the story of Sim Dalyeon, a victim of the Japanese Military “Comfort Women,” author Kwon Yoon-duk released “Yong, Maeng Ho,” the main character of the Vietnam War veteran. What is the story left by the author who has pointed out violence in Korean history through her works?
Purplay Kang Purm
The photo exhibition , in which the victims of the Japanese Military ‘Comfort Women’ (called ‘Comfort Women’) from South Korea and North Korea join together, was held from March 6 to 11 at Exhibition Hall 2 of the Insa Art Center.
Ahn Hae-ryong
In this interview with Kyeol, artist Chang-Jin Lee discusses the vision behind her work and the power of art to communicate, connect people, and inspire change.
Chang-Jin Lee
This achievement of historical research will serve as a basis for listening to testimonies in depth beyond the narrow standard of “fact verification.”
Lee Jieun
A Conversation between Gina Kim and Han Sang Kim
Kim Gin-a
She deals with the issues of how the victimization of women in the post-colonial Korean society is represented, what type of gaze operates here, and what the gaze ultimately strives to see.
Kim Han-Sang
Similar to what the researchers considered in the fourth collection of testimonies, the line placement and long pauses in Emily Jungmin Yoon’s poems would be the mimesis for the testifiers’ persistent pain, long silence, faltering, and hesitation that are manifested through poetic deviation.
Lee Hye-ryoung
The movie “Denial” (Mick Jackson, 2017)
Heo Yoon