Webzine-KYEOL │ Research Institute on Japanese Military Sexsual Slavery (RIMSS)

Problems in the Ethics of Female Representation

A Conversation between Gina Kim and Han Sang Kim

Kim Gin-a

Gazing at the “Death Pit” and Representation of the Memories of “Comfort Women” Victims

She deals with the issues of how the victimization of women in the post-colonial Korean society is represented, what type of gaze operates here, and what the gaze ultimately strives to see.

Kim Han-Sang

The voices that rolled inside bodies – Emily Jungmin Yoon’s collection of poems A Cruelty Special to Our Species

Similar to what the researchers considered in the fourth collection of testimonies, the line placement and long pauses in Emily Jungmin Yoon’s poems would be the mimesis for the testifiers’ persistent pain, long silence, faltering, and hesitation that are manifested through poetic deviation.

Lee Hye-ryoung

Art as Witness

What can art accomplish beyond aesthetics? Randy Jayne Rosenberg examines how it can preserve marginalized histories, support survivor testimony, and move audiences from observation toward ethical responsibility.

Randy Jayne Rosenberg

When Art Interrupts Silence: Conversation with Artist Chang-Jin Lee about Her COMFORT WOMEN WANTED Project and More (1)

When Art Interrupts Silence: Conversation with Chang-Jin Lee (1)

At times, a single poster can speak more powerfully than a hundred-page book. Kyeol had a conversation with New York-based artist Chang-Jin Lee regarding her COMFORT WOMEN WANTED project and how art can shed light on questions of gender, identity, and memory.

Chang-Jin Lee

Why We Must Listen to the Voices and Songs of the “Comfort Women” Survivors

The author – an ethnomusicologist – invites us to listen to “Comfort Women” survivors’ songs as a way to understand their lives and to remember them.

Joshua D. Pilzer

No Longer Silenced!

A review of Unsilenced: Sexual Violence in Conflict, the UK’s first exhibition focusing on the issue of sexual violence during modern and contemporary global conflicts.

Nikolai Johnsen

Art as a Messenger of Women’s Stories

Rose Camastro-Pritchett’s “Comfort Women” project uses art to honor the dignity and strength of survivors of wartime sexual violence. Inspired by her research and personal experiences, she creates intimate, respectful works that connect historical trauma to ongoing conversations about gender-based violence today.

Rose Camastro-Pritchett

How a Diaspora Director Talks About the “Comfort Women” Issue Through a Documentary

The documentary film , directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”

Cecilia Kang

AI 인터랙티브 증언 콘텐츠 ©한국여성인권진흥원 일본군‘위안부’문제연구소

Testimony, Common Voice - An Exhibition of the AI Interactive Testimony Content, “Encountering Testimonies”

This is where the validity of the questions posed by this tangible AI interactive testimony content to the viewer lies: bringing up issues again about what to ask, not what to listen to. That’s because asking well must be accompanied by the constant consideration of the questioner. This, of course, would be to restore asking within the process of listening, not a reconversion or return to asking.

Bae Ju-yeon

Culture