Eka Hindrati is an Indonesian researcher who is persistently engaging in various activities towards resolving the 'comfort women' issues despite many challenges. Through a written interview, we asked her about the progress of studies and investigations on 'Japanese military sexual slavery' in Indonesia, and about what efforts are needed in order for South Korea and Indonesia to unite through the shared past.
Eka Hindrati
Asian Women’s Shelter’s executive director shares how the organization began and how it works to serve “not either/or, but all” communities in the San Francisco Bay Area.
Orchid Pusey
Legal experts and “Comfort Women” movement activists reflect on the 34-year legal struggle to resolve the Japanese Military “Comfort Women” issue.
Editorial Team of Webzine <Kyeol>
Reflecting on and exploring how to record, remember, and carry forward the history of the “Comfort Women” beyond the framework of legal remedies.
The male-centric society in Japan is the root cause of the “Comfort Women” issue. Ultimately, I am convinced that this structural problem is why the Japanese National Diet has been unable to enact legislation on its own.
Totsuka Etsuro (戶塚悅朗)
The spread of “Comfort Women” memorials across different cities and countries offers insights into both possibilities and the limits of memory activism, especially in an era when the world continues to confront the legacies of colonialism, racism, and historical injustice.
Dr. Daniel Schumacher
In this conversation, Freedom United Executive Director Joanna Ewart-James and Kyeol examine how modern slavery is sustained by social and institutional systems, how collective action can drive meaningful change, and how historical awareness can deepen our understanding of injustices that persist today.
Joanna Ewart-James
The Berlin Statue of Peace, established in 2020, marked an important milestone in the “Comfort Women” memorial movement as the first public memorial of its kind in Europe.
Jung-Hwa Han
My Mother Is More Than A Comfort Woman is a storybook that presents the experiences of Filipino “Comfort Women” survivors through the eyes of their daughters and a granddaughter.
Naoko Okimoto (沖本直子)